Hugging the Shore cover poto

An Updike Geography 
His houses from Shillington to Beverly Farms  

John Updike
born in Reading, Pennsylvania, March 18, 1932;
died in Danvers, Massachusetts, January 27, 2009

Even idle travelers need a destination. In the summer of 2001, 
my wife and I sought out the habitations of Updike.
                                 Peter Windhorst, M.D.
                                            e-mail

"Let me tell you about houses. Everything outs."
          --Piet Hanema, on construction ethics, in Couples, originally titled Couples and Houses and Days

Click on thumbnails (in blue frames) to enlarge

side view   front   former chicken coop
living room, now occupied by dot-commers   house now occupied by internet advertising and marketing firm   photographer and wife in former dining room

117 Philadelphia Avenue, Shillington, Pennsylvania
John Updike's home until he was 13 years old
"Olinger" and "Brewster"

Shillington Poorhouse
(no longer standing)

The Poorhouse.jpg (143196 bytes)
--picture above and quote below from Updike, 
   "Fictional Houses," Architectural Digest, January 1985

"Architecture confines and defines us. Our human world speaks to us, most massively, in its buildings, and a fiction writer cannot make his characters move until he has some imaginative grasp of their environment....I can still feel the thrill of power with which, in my first novel, The Poorhouse Fair, I set characters roaming the corridors of an immense imaginary mansion I had based upon an institutional building for the poor and homeless, which had stood at the end of the street where my family had lived in Pennsylvania."

26 East Street, Ipswich     sign to right of door     Ipswich 17th century house.jpg (129330 bytes)

picture on right and quote below from, Updike, "The Houses of Ipswich," Architectural Digest, June 1990

26 East Street, Ipswich, Massachusetts
1958 - 1970

  Roger and Bea Guerin's house in Couples

"The decade was the sixties, my wife and I were youngish, and the house suited us just fine. It was Puritan; it was back-to-nature; it was less is more. A seventeenth-century house tends to be short on frills like hallways and closets; you must improvise....The straightforward, hearth-centered architecture of our house must have strengthened our family sense. Once we moved, the fact is, things fell apart...."

entranceBeacon Street apartment

Updike's apartment
151 Beacon Street, Boston
1974 - 1977


              --photo above by John Blanding/Globe Staff

St. John's Episcopal Church, Beverly Farms, MA

Updike moves in 1982 to a house in Beverly Farms, Massachusetts, which is described, along with its flora*, fauna** and metallobioforms, in Toward the End of Time. He joins St. John's Episcopal Church (left). 

*  Truly florid flora!  A Colombian colleague, used to traversing literary rain forests, barely untangled herself from the verbal thicket.
** The house is hidden from the public roadway. Unlike Ray, Jose, Doreen and even dear Deirdre, I didn't presume to trespass or disturb the householder. (But I did see a large and frolicsome doe in the grassland park next to the Labor-in-Vain house.)

 

Sandstone Farmhouse

        Sandstone farmhouse, 1955, with Updike.jpg (132820 bytes)          Limestone farmhouse, color The Centaur, Of the Farm.jpg (207296 bytes)
          --pictures above and quote below from Updike, 
              
"Fictional Houses," Architectural Digest, January 1985

The family farm near Plowville, Pennsylvania, Updike's home from age 13 until he leaves for Harvard. (His parents and maternal grandparents lived here until their respective deaths.)

"The firmest house in my fiction, probably, is the little thick-walled sandstone farmhouse of The Centaur and Of the Farm; I had lived in that house, and can visualize every floorboard and bit of worn molding."

The Centaur
Of the Farm
"A Sandstone Farmhouse," in The Afterlife and Other Stories
"The Cats," in Licks of Love

 

 close-up of the Caldwell Building   overview of Caldwell Building   Caldwell Building on the Ipswich River

1961: Updike rents a one-room office, above 
a restaurant and overlooking the Ipswich River, 
in the Caldwell Building, South Main Street, Ipswich

 

 side porch   front   salt marsh 

Labor-in-Vain Road, Ipswich
1970 - 1974

Ken and Foxy Whitman's house in Couples

"To describe these houses is halfway to describe the life lived in them. My Couples was originally titled Couples and Houses and Days and was all about our entry into other people’s homes, as guests and lovers."

Updike, "Fictional Houses," Architectural Digest, January 1985

 

 

 

 

 

 

 

104-0429_IMG.JPG (71985 bytes)

58 West Main Street
Georgetown, Massachusetts
1977 - 1982

                                                  --photo above by Jill Krementz

 

"Not only do fictional characters have to be supplied with faces, life histories, speech rhythms, and psychologies; they must have houses to live in....A fiction can scarcely exist, however surreal and minimal, that does not involve some construction business....The houses we build in our fiction need not conform to a floor plan—indeed, the reader’s capacity for visualizing spatial relations is feeble—but they must conform to a life plan, feeding the characters’ senses whenever these turn outward, confirming social place with their walls and accoutrements, echoing in authentic matter the spiritual pattern the author intends to trace. A house, having been willfully purchased and furnished, tells us more than a body, and its description is a foremost resource of the art of fiction. Every novelist becomes, to a degree, an architect—castles in air!—and a novel itself is, of course, a kind of dwelling, whose spaces open and constrict, foster display or concealment, and resonate from room to room."     

    --Updike, "Fictional Houses," Architectural Digest, January 1985

For general coverage of Updike, see two sites at the New York Times:
http://www.nytimes.com/books/97/04/06/lifetimes/updike.html
http://www.nytimes.com/books/00/11/19/specials/updike.html
and James Yerkes's site: The Centaurian.